CONtraflow: New Orleans’ Own Taste of the Geek Life by Anna Harris

IMG_1807-0If someone had told me a few months ago that I’d get some of the best writing advice of my life at a hotel out by the airport, I’d have been suitably skeptical. It’s just that when one imagines a scene filled with award-winning authors, aspiring wordsmiths, and a sizeable contingent of steampunks and Chewbacchanalians, the Hilton on Airline Highway is probably not going to be the first place she thinks of. Not that the Hilton isn’t a great hotel, of course – just that it’s not that high in the list of wretched hives of scum and villainy. That fact notwithstanding, it turns out that the organizers couldn’t have picked a better spot to house the odd and amazing convergence known as CONtraflow.

Now in its fourth year, CONtraflow is a fan-organized, volunteer-run convention that focuses on science fiction and fantasy in literature and art. It’s a small convention (for right now, at least), but a robust one. This year the gathering boasted 100+ educational panels, parties, and concerts, featuring over 55 well-known names in the sci-fi and fantasy community. The gathering attracts writers, artists, vendors and fans (and everything in between), who mingle and bond over a shared love of geekdom.

At 32, until very recently it was a necessity to keep my geeky interests a secret, lest I be branded a weirdo. Even though pop culture has thoroughly embraced gaming, comic book heroes, and various sci-fi franchises over the last decade, if you’re my age (and especially if you’re female) you probably remember a time when it was just not possible to admit that you read fantasy novels and knew a smattering of Klingon without being ostracized. It’s only within the last couple of years that I started meeting geeks who were proud to share their interests with others, and started to realize that it was OK to be geeky. Meanwhile though, old habits die hard, and I’m still getting used to not being ashamed to buy comic books or profess my love for Settlers of Catan.

So while a large contingent of my comic book-loving, RPG-playing, sci-fi movie quoting friends regularly attend huge and hallowed conventions like Dragoncon and San Diego Comic-Con International, the bulk of my con experience begins and ends with Star Trek conventions with my mother, circa 1990. As you can imagine, I hadn’t revealed my secret to any of my friends – how embarrassing to basically be a con virgin! I was hoping that CONtraflow would give me a decent taste of what it’s like to go to a convention, without the huge crowds and overstimulation. I figured I could work my way up to the crazy stuff if the basics seemed interesting enough.

Luckily, my expectations were right on the money. From the moment the Hilton’s automatic doors sluiced open, enveloping me in brightly printed carpet and the sweet, sweet caress of over-conditioned air, I knew I was home. Two steampunk pirate wenches and an excellent Maleficent walked in with me from the parking lot, and I followed them through the hotel to the registration desk.

I had hoped to attend all three days, but as it turned out, Sunday was my only opening to check out the panels. I explained this to the lovely volunteer at registration, and she gamely recommended the best panels that day, based on my interests. While we were talking, I explained that I was new to this whole “being vocal about being a geek” thing. Without missing a beat, she reassured me that there’s nothing like going to a con – in fact, she’d met her husband at one! I made a mental note to keep my eyes peeled, just in case Destiny happened to be cosplaying that day.

The first panel on my list was “How to Write a Great First Line”, with author and radio talk show host M. B. Weston. Weston’s specialties are fantasy, YA, steampunk and paranormal fiction, and her enthusiasm for her craft was immediately evident as the panel got underway. “Punch, and punch hard!” was the message of the day. During the hour-long open Q&A, Weston shared her experience in crafting first lines made to immediately reel a reader in, and keep them hungry for more. The author explained that first lines were a kind of bait, or a drug, if you will. Keep adjusting the formula as you get to know your readers more. Introducing sensory details, inciting curiosity, and creating a sense of urgency are all ways to get the reader hooked. Most importantly, don’t get caught up on the first line. Keep writing, and let that perfect introduction come to you as you build the rest of the story. You can always go back and edit.

Weston’s talk was so engaging that I found myself staying put through the break to chat with other members of the crowd who’d stuck around to talk about first lines. Before I knew it, the next panel was getting under way. During “How to Promote Yourself & Your Writing”, independent author Ben Herr and author/actor/publisher Allan Gilbreath encouraged the writers in the crowd to start thinking of themselves as brands, and to start getting their messaging out to the right target market. Herr, creator of YA fantasy series Alynia Sky, is a fascinating example of how to be your own best brand ambassador. He shared valuable lessons on what’s worked – and what hasn’t – for him as he’s made it his mission to see his stories travel the globe. Gilbreath’s advice was even more interesting, as he’s had the opportunity to view the process from the writer’s chair as well as from the publisher’s point of view. His tips on how to succeed (and avoid screwing up) were useful and frequently hilarious, including the best thing I heard all day: “Interns are an invaluable resource – and they compost well!”

Despite the great advice had in the first two panels, the next panel I attended was definitely my favorite. Authors J. L. Mulvihill, Rob Cerio, and Kimberly Daniels led a very engaged crowd through an active discussion on “Writing Good Villains”. Between the three panelists, they covered a diverse set of genres, including YA, steampunk, fantasy, sci-fi, and comedy, but also were able to reference villains and plot points from TV, movies, comic books, classic fiction and even non-fiction sources. This created a rich and very accepting conversation, where the crowd felt encouraged to bring up ideas and share their struggles and successes with writing villainous characters. We even talked about how societal norms change our concept of villainy, and how to build a story where the villain is the landscape, or the society, or even the protagonist. Best of all, during the panel, I felt a light bulb switch on in my mind, as a story character I’d been writing and rewriting for a couple of years now suddenly completely made sense.

Afterward the day of awesome panels, I realized that it was pointless to try avoiding the siren song of geeky baubles any longer. As I wound my way through the serpentine field of merch tables, exploring my options, I could almost hear my bank account groaning. Bags laden with new books, I wandered back out to the parking lot, mentally signing myself up for next year’s CONtraflow. Wonder if the Hilton takes Vulcans?
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Anna Harris is a New Orleans-based marketing consultant and blogger. You can find her online at Compass & Quill and The Camino Plan.

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