This Week in Theatre and Books

I’m doing the lazy blogger cheat here to let y’all know of a couple of up-coming NOLA events that look pretty awesome. Our friend and brutha blogger, Glenn Meche, is directing a play and one  of our favorite bookstores has some celebratin’ going on this week-end. Y’all check it all out!

MISS CUSHMAN RETURNS TO “THE AVENUE”

After 174 years, Charlotte Cushman returns to St. Charles Avenue. Cushman, a renowned Victorian actress, said to be one of the most famous women in the English-speaking world at the time, made her theatrical debut on St. Charles Avenue in New Orleans at the St. Charles Theatre on April 23, 1836 in the role of Lady Macbeth.

Next week, Miss Cushman returns to the Avenue, at Le Chat Noir, 715 St. Charles Ave., two blocks from where the 4000 seat St. Charles Theatre stood between Poydras and Girod in The Last Reading of Charlotte Cushman, featuring Karen Shields and directed by Glenn Meche.

Born in 1816, Cushman left her hometown of Boston in 1835 and began to tour as an opera singer. Although she received favorable notices in Boston, New Orleans proved to be a different story. A critic for the New Orleans Bee wrote that, “Miss Cushman can sing nothing” and suggested she take on acting roles. After studying acting with the principle actor of the St. Charles, James Barton, she made her triumphant debut in Macbeth.

Her storied career took her to the great stages of New York, Washington, Philadelphia and London where she performed for four U.S. Presidents and English royalty. She portrayed both female and male roles including Hamlet, Cardinal Woolsey, and her most famous “breeches” role, Romeo. Taking the form of a ‘farewell performance,’ Charlotte regales the audience with moving and sometimes hilarious scenes from her most famous roles and reminisces about her family, her many “romantic friendships” with women and life in the Victorian theatre. The Last Reading of Charlotte Cushman is written by Carolyn Gage and won the 2008 Lambda Literary Award for Drama.

The Last Reading of Charlotte Cushman will appear Friday, September 10th and Friday, September 17th at 8:00 p.m. at Le Chat Noir. For tickets call 504-581-5812.

**************

Maple Street Book Shop has some interesting events coming up this week. It all begins on  September 10 with a wine tasting and cheese party to celebrate the release of Before, During and After and continues with a week-end long birthday celebration for store manager, Gladin Scott.  From their website:


Join us on Friday from 6-8pm for a wine tasting and cheese party celebrating the release of “Before (During) After.” Local photographers John Biguenet, Tom Varisco, and Zach Smith will sign “Before (During) After.” We will also have a slide show of photographs from their book.

Andrew Dike of Martin Wine Cellar will have a wine tasting with various wines from Martin Wine Cellar. Enjoy!

Gladin Scott’s Birthday Bash Weekend!

Please join us on the weekend of September 10, 11, and 12th for Gladin’s Birthday Bash! A donation of 20% from all book sales at the Maple Street Book Shop this weekend will be donated to Lusher School’s Creative Writing Program

Go Ye To Gentilly For Theatre

In celebration of 15 years of making original theater in New Orleans, ArtSpot Productions – co-producers of last fall’s award-winning theatrical experience Loup Garou – proudly announces their newest performance, Go Ye Therefore… Part theater, part revival, part pilgrimage, this theatrical baptism takes place Thursdays through Sundays from May 14 through June 6 at 5168 St. Roch Avenue in Gentilly, a pastoral have of creativity and community in the midst of a rebuilding neighborhood. Free food and post-performance discussions follow each Friday night performance. All are welcome, but because seating is limited, reservations are required. (Sunday, May 30 is Pay-What-You-Can night.  No reservations please.)

Go Ye Therefore… is a story about two southern women, one white, one black, both daughters and granddaughters of Southern Baptist preachers. Rooted in different racial and cultural worship traditions, Kathy Randels and Rebecca Mwase trouble the waters of their Baptist upbringings in search of spirituality’s truth, and revel in the unifying joy of song as they explore the Bible, Baptist history, and the tenuous relationship between the missionary and the native.

Directed by Ashley Sparks, designed by Jeff Becker, with music by Emanuel Burke, costumes by Laura Sirkin-Brown, and choreography by Monique Moss. Script architect: Lisa Shattuck. Stage manager: Rebecca McLaughlin.

Click HERE to visit ArtSpot’s website and reserve tickets.

NoLA Hosts Regional Premiere of ‘Ameriville’ This Week

Southern Rep Partners with Junebug Productions, Ashé Cultural Arts Center, and Tulane University
for the Regional Premiere of Ameriville
by Universes, which runs February 24 – March 7, 2010.


In AMERIVILLE, the critically acclaimed Bronx-based ensemble group gives an emotionally riveting performance that is not only about Katrina, but also about the struggles and heartbreaks that happened in New Orleans. With the unbelievable power and passion that Universes brings to the stage, stories, facts, and memories are brought back through a mixture of poetry, hip-hop, jazz, and theatre.

Created by Universes, AMERIVILLE gives new insight and urgency to our national re-examination of what it means to be American – with heart, impassioned stomps, and incandescent harmonies. It’s a jubilant cry to rebuild America itself. Universes has created their own brand of high-energy performance, rooted in hip-hop but drawing on a global multitude of lyrical and musical influences and performance styles.

AMERIVILLE will be directed by Chay Yew, who is both a director and award-winning playwright, currently living in New York City. He has directed countless shows and is a recipient of the Dramalogue and OBIE Awards for Direction. As an alumnus of New Dramatists, he currently serves on the Executive Board of the Society of Stage Directors and Choreographers. Yew is a graduate from Boston University.

Steven Sapp, Mildred Ruiz-Sapp, Gamal Abdel Chasten, and Ninja make up Universes. All four actors are the founders of the company. Steven Sapp, a graduate from Bard College, is a playwright/actor. Mildred Ruiz-Sapp is part of this group as a playwright/actress/vocalist. Gamal A. Chasten is a songwriter/poet/screenwriter whose work has toured in over 25 U.S. cities and 5 countries. Ninja (William Ruiz) is a playwright/director and also a graduate of Bard College. Universes is a National / International ensemble Company of multi-disciplined writers and performers who fuse Poetry, Theater, Jazz, Hip-Hop, Politics, Down Home Blues and Spanish Boleros to create moving, challenging and entertaining theatrical works. The group breaks the bounds of traditional theater to create their own brand, inviting old and new generations of theater crafters as well as the theater goers and new comers to reshape the face of American Theater.

Southern Rep Artistic Director Aimée Hayes was drawn to this wide-reaching partnership out of a shared belief in the power of Universes’ production. “When I saw AMERIVILLE in last year’s Humana Festival, I jumped to my feet along with the rest of the audience to applaud before the lights came down at the end of the show. After seeing a production that spoke to my hometown in such a ground-breaking and inspirational way, I knew we had to find a way to bring it here to share with our friends and neighbors.”

Southern Rep is proud to be part of this expansive partnership project with Junebug Productions, Ashé Cultural Arts Center, and Tulane University Department of Theatre and Dance that brings together such a diverse group of stakeholders, including school principals, teachers, members of the media, church and business leaders, as well as organizations’ board members to ensure the widest possible impact of Universes’ work in New Orleans. Thanks to the support of the National Endowment for the Arts, Louisiana Division of the Arts, Arts Council of New Orleans, New Orleans Jazz and Heritage Foundation, and the National Performance Network, Southern Rep sees AMERIVILLE and Universes’ residency as fruitful and productive endeavor to benefit the New Orleans community at large.

Junebug Productions (JPI,) a professional African American arts organization located in New Orleans, Louisiana, produces, tours and presents high quality theater, dance and music that encourages and supports African Americans in the Black Belt South who are working to improve the quality of life available to themselves and others who are similarly oppressed and exploited. For the past 29 years, the company has toured the U.S. and performed internationally with John O’Neal, Junebug’s Artistic Director who co-founded the Free Southern Theater in 1963 as a cultural arm of the southern Civil Rights Movement. Junebug Productions is currently creating the Free Southern Theater Institute (FSTI) to codify the particular techniques, ethics, and aesthetics developed by FST and Junebug Productions. Artists from around the region and the nation will be able to come to New Orleans, learn the FST and JPI technique and work with the local community and artists. Junebug is currently offering the third of three pilot program courses, “From Community to Stage”, bringing in artists to work with community residents, high school and university students.

Ashé Cultural Arts Center is an effort to combine the intentions of neighborhood and economic development with the creative forces of community, culture and art to revive and reclaim a historically significant corridor in Central City New Orleans: Oretha Castle-Haley Boulevard, formerly known as Dryades Street. Ashé is a gathering place for emerging and established artists to present, create and collaborate in giving life to their art so as to activate the artistic, creative and entrepreneurial possibilities available in our community. Storytelling, poetry, music, dance, photography, and visual art all are a part of Ashé’s work to revive the possibility and vision of a true “Renaissance on the Boulevard.”

The Tulane Department of Theatre and Dance is a multi-disciplinary program that offers a fusion of performance styles and techniques in the framework of a liberal arts setting. Their diverse and international faculty teaches a mix of approaches that allow their students to explore all aspects of the theatrical and dance arts in order to help them prepare for the world around them. After beginning with the solid foundation of a hands-on curriculum, students are allowed to individualize their journey by choosing study in numerous areas that include academic research, storytelling, regional and international dance styles, acting methodology, community action, directing, choreography, design and technical stagecraft. The Department’s goal is to create the beginnings of a well-rounded dance or theatrical artist who understands where she or he fits into a larger performance community.

TICKETS AND LOCATION:

Regular ticket prices range from $20-$35: $35 for Opening Night, Wednesday February 24 (includes post-performance reception); Individual tickets are $26-$29 with special discounts for students, seniors, K-12 teachers, active military, theatre professionals (with ID) and groups of ten or more. $10 Student Rush tickets are available 15 minutes before curtain on a cash-only basis, with student ID. On the edge of the French Quarter, Southern Rep Theatre is conveniently located on the 3rd floor of the Shops of Canal Place, where validated parking is available. For more information and to order tickets, call (504) 522-6545, or visit southernrep.com.

Southern Rep continues to show that it is staging the most important, challenging, and downright mesmerizing pieces of theater New Orleans audiences are graced to experience.Theodore P. Mahne, The Times-Picayune Lagniappe

“Their energy and realness is unmatchable.” The Village Voice

Ameriville is an experience on many levels: percolating, bubbling, and broiling, flooding the theatre to the very last row. Hold your breath and dive in.Theatre Louisville

“A headlong explosion of poetry, percussion, and multi-culti musical exploration that absolutely demands to be seen.” — The Boston Globe